Shae Acopian Detar
More and more beautiful things seem to appear every day.
These enchanted photographs/painted photographs are created by Shae Acopian Detar, from Lulli Vintage.
James Douglas and black jeans
Viktor Vauthier's photographs of Pere Lachaise.
Morrison / Wilde / Piaf
It's important to go on pilgrimages. To dress in black denim and leather like your long-dead heroes. To reflect. To read those battered tomes until the age-stained pages flutter out with no warning and the spine is all cracked and barely useful. To set up a shrine, a photograph, a memory.
Morrison / Wilde / Piaf
It's important to go on pilgrimages. To dress in black denim and leather like your long-dead heroes. To reflect. To read those battered tomes until the age-stained pages flutter out with no warning and the spine is all cracked and barely useful. To set up a shrine, a photograph, a memory.
Little wing
Photography: Alexandra Valenti
Model: Kelley Ash
Jewellery: Heyoka Leather
Styling: Rachel Hunt (of Sisters of The Black Moon)
The Young One
Outtakes from Neil Krug's The Young One for LoveCat Magazine, featuring Lauren Marie Young.
Neil Krug's new work is no deviation from his standard fare of absolutely killing it with blown-out retro technicolours and pulp storylines... For this editorial, as he told MyModernMet, he hand-tinted black and white polaroids and "used a ton of colored gels to enhance the overall color saturation in all the photographs."
And remember, these are the ones that didn't make the cut.
But I particularly like this description from Juxtapoz, declaring his work to be a "neo-psychedelic sexual revolution, apocalyptic, Fear and Loathing in the Desert, lost roll of film and now developed 40-years [later] kind of an experience".
Neil Krug's new work is no deviation from his standard fare of absolutely killing it with blown-out retro technicolours and pulp storylines... For this editorial, as he told MyModernMet, he hand-tinted black and white polaroids and "used a ton of colored gels to enhance the overall color saturation in all the photographs."
And remember, these are the ones that didn't make the cut.
But I particularly like this description from Juxtapoz, declaring his work to be a "neo-psychedelic sexual revolution, apocalyptic, Fear and Loathing in the Desert, lost roll of film and now developed 40-years [later] kind of an experience".
Beers. American Blues.
Photography: Graham Dunn
Stylist: Wild At Heart
Models: Kelley Ash, Jenny Sirney
via Ben Trovato
Beers by the pool... summer, why'd you have to go?
Stylist: Wild At Heart
Models: Kelley Ash, Jenny Sirney
via Ben Trovato
Beers by the pool... summer, why'd you have to go?
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